Jay moved in and out of rapper circles in the late ’80s and early ’90s, popping up on songs with his mentor, Jaz-O, and Big Daddy Kane. But he continued to develop his craft, taking stock of hip-hop’s evolving aesthetics and mastering hyperspeed raps in the vein of East Coast rap duo Das EFX.
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But as an adolescent, he put his hobby on the backburner and crack sales on the front. He’d spend his time banging on the kitchen table at his 534 Flushing Avenue apartment, rhyming to the percussion he created. Jay-Z’s adolescence coincided with the Reagan ’80s. His merging of thinking-man street raps with commercial hits paved the way for artists like Kendrick Lamar and J. His catalogue contains some of the most potent imagery and lucid storytelling about poverty and the desperation that it breeds, all while dominating mainstream pop music, in a delicate tightrope act that almost no one else has ever been able to manage for the span of time that Jay has. And now, two decades (and two dozen solo LPs) later, Jay-Z has become one of music’s all-time most important voices. Def Jam, impressed with Roc-A-Fella’s early independent success, agreed to sign a joint venture with the young imprint on one condition: They needed seven albums from Jay. The skinny kid from Brooklyn’s Marcy Projects intended to drop just one album - a musical I was here statement - before partnering with a major label and falling back into a comfy executive role, becoming a vessel to launch hopeful Roc-A-Fella acts like Memphis Bleek and Christión into orbit.īut the industry had different plans. Album DescriptionIf Jay-Z had his way back in 1996, this list would be too brief to warrant compiling. See More Your browser does not support the audio element. Still, the few standout tracks here are career highlights for Jay-Z and well worth wading through the occasional filler to find.
The Dynasty plays overall like a Roc-a-Fella mixtape rather than a Jay-Z album, which means you'll have to endure a lot of promotional posse tracks, particularly toward the end of the album. Guest appearances by Snoop Dogg and Scarface are much more welcome, two of only three non-Roc-a-Fella guest features here. In terms of rapping, the omnipresence of Beanie Sigel and Memphis Bleek spices up "Parking Lot Pimpin'," another album highlight, but is a drag on other songs, where Jay-Z seems like a guest on his own album. In particular, the productions set Jigga apart from his peers in 2000, especially "I Just Wanna Love You (Give It 2 Me)" by the Neptunes, a fun, playful song a world apart from the rugged Ruff Ryder beats Swizz Beatz had been offering Jay-Z a year earlier. The Dynasty Roc la Familia still sounds like a Jay-Z album, but it's different enough from his past work to make it exciting and unique. He brought in a stable of up-and-coming producers (the Neptunes, Just Blaze, Kanye West) and handed the mic to his in-house roster of Roc-a-Fella rappers (Beanie Sigel, Memphis Bleek, Freeway) with the intention of bolstering his rap "dynasty" (i.e., Roc-a-Fella). So rather than try to one-up these albums with yet more super-producers and big-name rappers, Jay-Z took a different approach on The Dynasty.
Carter - spawned numerous gigantic hits and were filled the brim with the biggest hitmakers in rap: producers like Timbaland and Swizz Beatz rappers like Juvenile and DMX. Buy the album Starting at $12.99Īt the time of The Dynasty Roc la Familia's release, Jay-Z had already established himself as a towering figure in the rap world.
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Purchase and download this album in a wide variety of formats depending on your needs.